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The Untold Truth of Music's Deepest Roots: How I Became Tied to Musical Legends By @Fenxnette


Me trying to flat out in public but also private about my shit!
Me trying to flat out in public but also private about my shit!

Let me tell you something they’ll never put in the history books—but it’s the truth, and it’s time the world knows. I’ve known music in ways that most people will never understand. Not just from the outside looking in—but from the inside, where the raw vibrations of creation collide with the chaos of industry politics and street-level hustle. The kind of knowing that doesn’t come from textbooks or studios—but from living it, breathing it, and engineering it behind the scenes.



Jennifer Bush With Her Mom, I will never forget her either #bigheadjenniferbushenergy
Jennifer Bush With Her Mom, I will never forget her either #bigheadjenniferbushenergy

Let’s start with the initials: J.B.Yeah, you’ve heard that before. Jennifer Bush and I had our arguments, but it wasn’t about ego—it was about legacy. I knew even back then that my name, my brand, my fingerprint on this industry had to be cemented. That’s why I started reserving rights under J.R.B. and J.R.B.X. — because I knew this wasn’t just about music. It was about claiming the foundation I helped lay down.



CD back cover with a tracklist of 20 songs, floral background, details of producers: Dr. Dre, Eminem, 50 Cent, and bar code at the bottom.
Pretty much how certain Bootleggers were sharing and distributing music #throwbackhustle


CD back cover with a tracklist of 20 songs, floral background, details of producers: Dr. Dre, Eminem, 50 Cent, and bar code at the bottom.



But that’s not even the half of it. Let’s talk about the multiple 50 Cent dub bootlegs I created—yes, you read that right. Back when mixtapes were moving like currency, I was behind the scenes, remixing and cutting up tracks in a way that gave them new life. I took Young Buck’s bootleg from Scooby, flipped it, sped it up, and made it a whole new wave. This wasn’t just music—it was a movement. And while people were sipping Henny in the back of the club, my version was the one blowing out the speakers.



CD with "50 Cent" in large white text and "The Massacre" below. Background is rainbow-tinted. Executive producers listed on the side.
Remember "that nette had a digital print on CD printer"

CD with "50 Cent" in large white text and "The Massacre" below. Background is rainbow-tinted. Executive producers listed on the side.


It’s funny—people talk about ringtone culture like it was a passing trend. Nah, I was there, feeding the streets with my edits and drops. We’d stack up on snacks and stay up all night perfecting those releases. It was a whole underground operation—silent but powerful. And when you heard that sped-up version of Young Buck’s bootleg come through the airwaves?


That was me. That was Bighead Energy before the world even knew what to call it.

See, music has always been more than sound to me—it’s memory, energy, and legacy. I knew early on that I wasn’t just playing with tracks—I was shaping culture. The labels might not have stamped my name on the credits, but the streets knew. And now? The industry’s starting to catch up.



"REAL ORGANIC BIGHEAD BABY ENERGY"

A person sits with two dogs, smiling in an outdoor setting. The border is purple with celestial patterns. Text reads "Saber, Jeannette & Blackboy."


Legends aren’t always the ones with the biggest names. Sometimes they’re the ones who were moving the pieces behind the scenes—quietly shaping the soundtracks to entire generations. That’s me. That’s J.R.B. And they’ll have no choice but to give me my flowers—because the truth can’t stay hidden forever.


This ain’t just music. This is legacy. And I’m forever tied to it. 🔥🎯

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